Clampdown


















































"Clampdown"
Clampdown.jpg

Single by The Clash
from the album London Calling
B-side "The Guns of Brixton"
Released 1980
Format 7" single
Recorded August–September 1979, November 1979 at Wessex Studios
Genre Punk rock
Length 3:50
Label
CBS ES 486
Songwriter(s)
Joe Strummer and Mick Jones
Producer(s) Guy Stevens

The Clash singles chronology





"London Calling"
(1979)
 "Clampdown"
(1980)
 "Train in Vain"
(1980)


"Clampdown" is a single and a song by The Clash from their album London Calling. The song began as an instrumental track called "Working and Waiting".[1] It is sometimes called "Working for the Clampdown" which is the main lyric of the song, and also the title provided on the album's lyric sheet. Its lyrics concern those who have forsaken the idealism of youth and urges young people to fight the status quo.[2] The word 'clampdown' is a neat cover-all term the writers adopted to define the oppressive Establishment, notably its more reactionary voices who were to be heard throughout the 1970s calling alarmingly for 'clampdowns' by government and law enforcement on strikers, agitators, benefits claimants, football hooligans, punks and other perceived threats to the social, economic and moral wellbeing of the UK. The 'clampdown' can therefore be read as a figure of dread for the Clash's generation - and the song stands as a warning to the youth to beware being part of the problem rather than of the solution.


In 1980 "Clampdown" was released as a single backed with "The Guns of Brixton" in Australia. The single was not released in any other territories, with the exception of US promos.




Contents






  • 1 Analysis of lyrics


  • 2 Analysis of music


  • 3 Cover versions


  • 4 Popular reference


  • 5 Rock Band music gaming platform


  • 6 Personnel


  • 7 Notes


  • 8 References


  • 9 External links





Analysis of lyrics


"Clampdown" was written by Joe Strummer and Mick Jones.


The song's lyrics, written by Joe Strummer, refers to the failures of capitalist society.[3][4] The wearing of the "blue and brown" refers to the color of the uniforms that are mostly worn by workers. This idea goes along with lyrics that refer to "young believers" who are brought and bought into the capital system by those "working for the clampdown" who will "teach our twisted speech." Strummer wrote,



The men in the factory are old and cunning

You don't owe nothing, so boy get running!

It's the best years of your life they want to steal!

You grow up and you calm down and you're working for the clampdown.

You start wearing the blue and brown and you're working for the clampdown.

So you got someone to boss around. It makes you feel big now...


These lyrics are seen to refer to how one gets caught by the capital economic system and its ethos of work, debt, power, position and conformist lifestyle.[5] Strummer, who was a proud and loud socialist, also uses the song's closing refrain to highlight this mindset and potential trap and offers a warning not to give oneself over to "the clampdown". This is emphasized in the coda by Jones' repetition of the words "work" and "more work" on the beat over Strummers breathy repetition of the phrase "working for the clampdown". This reaffirms the idea that Strummer saw "the clampdown" as a threat to all who get caught up in the modern economic wage-hour system. Bass player and Clash co-founder Paul Simonon, in an interview with the LA Times, spoke about the opportunities available to him after he finished his education,










Strummer, like Simonon, spent time on the dole, but Strummer did not come from a lower-class family. In the same interview with the LA Times Strummer said,










Strummer's father was a diplomat in the British Field Service, and Joe was sent away to boarding school where he detested "the thick rich people’s thick rich kids". Strummer said,

















Later verses suggest an alternative in revolution, a theme common throughout Joe Strummer's songwriting. This point of view also points to the lyric "You start wearing the blue and brown" as supporting their cause. The barely audible lyrics at the beginning of the song were deciphered by Clash fan Ade Marks, and first published in Q magazine's Clash special[citation needed]:



The kingdom is ransacked, the jewels all taken back

And the chopper descends

They're hidden in the back, with a message on a half-baked tape

With the spool going round, saying I'm back here in this place

And I could cry

And there's smoke you could click on

What are we going to do now?



Analysis of music


The song is mostly in the key of A major, with a key change to E major in the bridge.


The coda features a bouncing dance, alternating between G and F# chords as the riff slowly fades, featuring Strummer's ad libs and the repeated lyric based on "work".



Cover versions


"Clampdown" was later covered by Rage Against the Machine at their first live show in 1991, as well as their more recent show in Antwerp, Belgium on 2 June 2008. It was also covered by Indigo Girls and can be heard on Rarities (2005) as well as the Clash tribute album Burning London: The Clash Tribute (1999). The song was also covered by The Strokes (at their Oxegen and T in the Park appearances in July 2004), Poster Children on their 2004 release, On the Offensive, and James Dean Bradfield (of the Manic Street Preachers) on his solo tour in October 2006. Another band that covered this song was Hot Water Music, on their B sides and rarities compilation album called Till the Wheels Fall Off. The song was also covered by The National on the album A Tribute to The Clash, and by Inward Eye, which they released through a video on their YouTube channel. Bruce Springsteen and the E Street Band covered the song a few times on their 2014 High Hopes Tour.



Popular reference


The song was featured in the Futurama episode, "The Silence of the Clamps", where the song is played over a montage of Clamps and Fry spending time together. The song was also used in the US television show Malcolm in the Middle during an episode where Malcolm and some misfits organise an anti-prom called "Morp".


In September 2018, during one of the debates between incumbent United States senator Ted Cruz and United States congressman Beto O'Rourke held as part of the campaign for that year's United States Senate election in Texas, O'Rourke claimed that Cruz was "working for the clampdown". [7]



Rock Band music gaming platform


It was made available to download on 1 February 2011 for use in the Rock Band 3 music gaming platform in both Basic rhythm, and PRO mode which utilizes real guitar / bass guitar, and MIDI compatible electronic drum kits / keyboards in addition to vocals.



Personnel


The following people contributed to "Clampdown":[8]




  • Joe Strummer – vocals, guitar

  • Mick Jones – vocals, guitar

  • Paul Simonon – bass guitar

  • Topper Headon – drums, percussion


  • Mickey Gallagher – organ


  • Guy Stevens – producer


  • Bill Price – chief engineer

  • Jerry Green – second engineer




Notes





  1. ^ Sweeting, Adam (October 2004). "Death or Glory". Uncut: 67..mw-parser-output cite.citation{font-style:inherit}.mw-parser-output .citation q{quotes:"""""""'""'"}.mw-parser-output .citation .cs1-lock-free a{background:url("//upload.wikimedia.org/wikipedia/commons/thumb/6/65/Lock-green.svg/9px-Lock-green.svg.png")no-repeat;background-position:right .1em center}.mw-parser-output .citation .cs1-lock-limited a,.mw-parser-output .citation .cs1-lock-registration a{background:url("//upload.wikimedia.org/wikipedia/commons/thumb/d/d6/Lock-gray-alt-2.svg/9px-Lock-gray-alt-2.svg.png")no-repeat;background-position:right .1em center}.mw-parser-output .citation .cs1-lock-subscription a{background:url("//upload.wikimedia.org/wikipedia/commons/thumb/a/aa/Lock-red-alt-2.svg/9px-Lock-red-alt-2.svg.png")no-repeat;background-position:right .1em center}.mw-parser-output .cs1-subscription,.mw-parser-output .cs1-registration{color:#555}.mw-parser-output .cs1-subscription span,.mw-parser-output .cs1-registration span{border-bottom:1px dotted;cursor:help}.mw-parser-output .cs1-ws-icon a{background:url("//upload.wikimedia.org/wikipedia/commons/thumb/4/4c/Wikisource-logo.svg/12px-Wikisource-logo.svg.png")no-repeat;background-position:right .1em center}.mw-parser-output code.cs1-code{color:inherit;background:inherit;border:inherit;padding:inherit}.mw-parser-output .cs1-hidden-error{display:none;font-size:100%}.mw-parser-output .cs1-visible-error{font-size:100%}.mw-parser-output .cs1-maint{display:none;color:#33aa33;margin-left:0.3em}.mw-parser-output .cs1-subscription,.mw-parser-output .cs1-registration,.mw-parser-output .cs1-format{font-size:95%}.mw-parser-output .cs1-kern-left,.mw-parser-output .cs1-kern-wl-left{padding-left:0.2em}.mw-parser-output .cs1-kern-right,.mw-parser-output .cs1-kern-wl-right{padding-right:0.2em}


  2. ^ Guarisco, Donald A. "Clampdown Review". Allmusic. Retrieved 2008-03-13.


  3. ^ D'Ambrosio, Antonino (June 2003). "'Let fury have the hour': the passionate politics of Joe Strummer (Page 4)". Monthly Review. CNET Networks. Archived from the original on 31 May 2009. Retrieved 2008-03-13.


  4. ^ D'Ambrosio, Antonino (June 2003). "'Let fury have the hour': the passionate politics of Joe Strummer (Page 5)". Monthly Review. CNET Networks. Archived from the original on 4 June 2009. Retrieved 13 March 2008.


  5. ^ Dimery, Robert (1999). Collins Gem Classic Albums. Glasgow: Harper Collins Publishers. ISBN 0-00-472485-2. OCLC 43582584.

    Related news articles:

    • "The Clash - London Calling". Super Seventies. Retrieved 2008-03-13.



  6. ^ abc Hilburn, Robert (22 January 1984). "Clash make it goo". Los Angeles Times. Los Angeles, CA. London: Times-Mirror. ISSN 0458-3035. OCLC 3638237. LONDON - The Clash is a rock band that lives up to its name.

    Related news articles:

    • "Clash make it goo". blackmarketclash.com. Archived from the original on 25 January 2008. Retrieved 2008-03-13.



  7. ^ Ramirez, Ramon (21 September 2018). "Beto O'Rourke makes apparent Clash reference during Cruz debate". The Daily Dot. The Daily Dot. Retrieved 2018-09-21.


  8. ^ London Calling: 25th Anniversary Legacy Edition (CD liner notes). Epic Records. September 2004.




References


.mw-parser-output .refbegin{font-size:90%;margin-bottom:0.5em}.mw-parser-output .refbegin-hanging-indents>ul{list-style-type:none;margin-left:0}.mw-parser-output .refbegin-hanging-indents>ul>li,.mw-parser-output .refbegin-hanging-indents>dl>dd{margin-left:0;padding-left:3.2em;text-indent:-3.2em;list-style:none}.mw-parser-output .refbegin-100{font-size:100%}



  • Gilbert, Pat (2005) [2004]. Passion Is a Fashion: The Real Story of The Clash (4th ed.). London: Aurum Press. pp. 233, 235, 238, 257, 260, 267. ISBN 1-84513-113-4. OCLC 61177239.


  • Gray, Marcus (2005) [1995]. The Clash: Return of the Last Gang in Town (5th revised ed.). London: Helter Skelter. ISBN 1-905139-10-1. OCLC 60668626.


  • Green, Johnny; Garry Barker (2003) [1997]. A Riot of Our Own: Night and Day with The Clash (3rd ed.). London: Orion. ISBN 0-7528-5843-2. OCLC 52990890.


  • Gruen, Bob; Chris Salewicz (2004) [2001]. The Clash (3rd ed.). London: Omnibus. ISBN 1-903399-34-3. OCLC 69241279.


  • Needs, Kris (2005-01-25). Joe Strummer and the Legend of the Clash. London: Plexus. ISBN 0-85965-348-X. OCLC 53155325.


  • Topping, Keith (2004) [2003]. The Complete Clash (2nd ed.). Richmond: Reynolds & Hearn. ISBN 1-903111-70-6. OCLC 63129186.




External links





  • songmeanings about Clampdown

  • ‘Let Fury Have the Hour’: The Passionate Politics of Joe Strummer

  • LA Times article




  • Lyrics of this song at MetroLyrics








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