Eastmancolor




Eastmancolor is a trade name used by Eastman Kodak for a number of related film and processing technologies associated with color motion picture production.


Eastmancolor, introduced in 1950, was one of the first widely successful "single-strip colour" processes, and eventually displaced the more cumbersome Technicolor. Eastmancolor was known by a variety of names such as Deluxe color (20th Century Fox), Warnercolor, Metrocolor, Pathecolor and Columbiacolor, and others.[1][2][3]


For more information on Eastmancolor, see




  • Eastman Color Negative (ECN, ECN-1 and ECN-2), the photographic processing systems associated with Eastmancolor negative motion picture stock, and intermediate motion picture stocks (including interpositive and internegative stocks)


  • Eastman Color Positive (ECP, ECP-1 and ECP-2), the photographic processing systems associated with Eastmancolor positive print motion picture stock for direct projection


  • Color motion picture film, for background on Eastmancolor and other motion picture processes in general


  • Eastman Kodak Fine Grain color negative films (1950 onwards), within the "List of motion picture film stocks" article



Examples of films that use Eastmancolor


The 1959 British satirical comedy film The Mouse That Roared (film) was filmed using the Eastmancolor process.


Eastmancolor became very popular in the South Indian film industry during early 60's.




  • Jigokumon - (Japan) 1953


  • Rebel Without a Cause (Warnercolor) - 1955

  • Bad Day at Black Rock - 1955

  • Hang Tuah-Malaysia/Singapore 1955


  • Kandam Becha Kottu-Malayalam 1961


  • Lava Kusha -Telugu 1963


  • Amarashilpi Jakkanna-Telugu 1964


  • Kathalikka Neramillai-Tamil 1964


  • Karnan-Tamil 1964


  • Padagotti-Tamil 1964


  • Amarasilpi Jakkannachari-Kannada 1964


  • The Umbrellas of Cherbourg - French, 1964


  • Chemmeen-Malayalam 1965


  • Thiruvilaiyadal-Tamil 1965


  • Aayirathil Oruvan-Tamil 1965


  • Enga Veetu Pillai-Tamil 1965


  • Idhaya kamalam-Tamil 1965


  • Le Bonheur - French, 1965


  • Help! - British, 1965


  • Anbe Vaa-Tamil 1966


  • Teorema - Italian, 1968


  • 2001: A Space Odyssey - American/British, 1968 (Color credited as "Metrocolor")


  • Macunaíma - Brazilian, 1969


  • Antonio das Mortes - Brazilian, 1969


  • A Clockwork Orange - British/American, 1971 (Color credited as "Warnercolor")

  • Agathiyar 1972


  • Cries and Whispers - Swedish, 1972


  • The Spirit of the Beehive - Spanish, 1973


  • Deep Red - Italian, 1975


  • Women on the Verge of a Nervous Breakdown - Spanish, 1988



References





  1. ^ "NFSA Journal" (PDF). 3. Nfsa.gov. 2008. Retrieved 2015-05-06..mw-parser-output cite.citation{font-style:inherit}.mw-parser-output q{quotes:"""""""'""'"}.mw-parser-output code.cs1-code{color:inherit;background:inherit;border:inherit;padding:inherit}.mw-parser-output .cs1-lock-free a{background:url("//upload.wikimedia.org/wikipedia/commons/thumb/6/65/Lock-green.svg/9px-Lock-green.svg.png")no-repeat;background-position:right .1em center}.mw-parser-output .cs1-lock-limited a,.mw-parser-output .cs1-lock-registration a{background:url("//upload.wikimedia.org/wikipedia/commons/thumb/d/d6/Lock-gray-alt-2.svg/9px-Lock-gray-alt-2.svg.png")no-repeat;background-position:right .1em center}.mw-parser-output .cs1-lock-subscription a{background:url("//upload.wikimedia.org/wikipedia/commons/thumb/a/aa/Lock-red-alt-2.svg/9px-Lock-red-alt-2.svg.png")no-repeat;background-position:right .1em center}.mw-parser-output .cs1-subscription,.mw-parser-output .cs1-registration{color:#555}.mw-parser-output .cs1-subscription span,.mw-parser-output .cs1-registration span{border-bottom:1px dotted;cursor:help}.mw-parser-output .cs1-hidden-error{display:none;font-size:100%}.mw-parser-output .cs1-visible-error{font-size:100%}.mw-parser-output .cs1-subscription,.mw-parser-output .cs1-registration,.mw-parser-output .cs1-format{font-size:95%}.mw-parser-output .cs1-kern-left,.mw-parser-output .cs1-kern-wl-left{padding-left:0.2em}.mw-parser-output .cs1-kern-right,.mw-parser-output .cs1-kern-wl-right{padding-right:0.2em}


  2. ^ Peter Lev. Transforming the Screen, 1950-1959. University of California Press, 2003. p. 108.


  3. ^ Stephen Neale. Contemporary Hollywood Cinema. Psychology Press, 1998. p. 120.










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