Pierre Gaviniès






Pierre Gaviniès


Pierre Gaviniès (Bordeaux 11 May 1728 – Paris 8 September 1800) was a French violinist, pedagogue and composer.




Contents






  • 1 Life


  • 2 Works


  • 3 References


  • 4 External links





Life


Son of a luthier, Gaviniès was taken to Paris by his father in 1734. At age 13 he made his debut at the Concert Spirituel in Les Tuileries playing a Jean-Marie Leclair sonata for two violins.[1]
Sometime around 1753 he received a prison sentence as the result of an affair with a Countess.[2]


In 1762 he reached the peak of his career. Giovanni Battista Viotti described him as the French Tartini, a singular compliment. Jean Godefroy Eckhard, Leduc L’Ainé, Rodolphe Kreutzer, and Romain de Brasseure dedicated works to him. The cellist Martin Berteau named a sonata “La Gavinies”.


His seminal work is the 24 Matinées published in 1794, a compilation of violin studies that includes extremely complex passages with the main goal of developing bowing facility.


Gaviniès taught violin at the Paris Conservatoire from 1795 until his death.



Works



  • Opus 1 - 6 sonatas for violin 1760


  • Le Prétendu Intermède, Italian comedy in 3 acts (première in Paris on 6 November 1760)


  • Recueil d'airs à 3 parties for two violins, alto and basse continue 1763

  • Opus 3 - 6 sonatas for violin 1764

  • Opus 4 - 6 sonatas for violin 1764

  • 2 Suites on Christmas 1764

  • 3 sonates for violin solo (including Le Tombeau de Gaviniès) 1770

  • Opus 5 - 6 sonates for violin 1774

  • His best-known work is the collection Les Vingt-quatre Matinées, a set of étude-caprices for the violin which appeared in 1794.



References





  1. ^ Zdenko Silvela (2001). A New History of Violin Playing: The Vibrato and Lambert Massart's Revolutionary Discovery. Universal-Publishers. p. 88,91,92. ISBN 978-1-58112-667-9..mw-parser-output cite.citation{font-style:inherit}.mw-parser-output q{quotes:"""""""'""'"}.mw-parser-output code.cs1-code{color:inherit;background:inherit;border:inherit;padding:inherit}.mw-parser-output .cs1-lock-free a{background:url("//upload.wikimedia.org/wikipedia/commons/thumb/6/65/Lock-green.svg/9px-Lock-green.svg.png")no-repeat;background-position:right .1em center}.mw-parser-output .cs1-lock-limited a,.mw-parser-output .cs1-lock-registration a{background:url("//upload.wikimedia.org/wikipedia/commons/thumb/d/d6/Lock-gray-alt-2.svg/9px-Lock-gray-alt-2.svg.png")no-repeat;background-position:right .1em center}.mw-parser-output .cs1-lock-subscription a{background:url("//upload.wikimedia.org/wikipedia/commons/thumb/a/aa/Lock-red-alt-2.svg/9px-Lock-red-alt-2.svg.png")no-repeat;background-position:right .1em center}.mw-parser-output .cs1-subscription,.mw-parser-output .cs1-registration{color:#555}.mw-parser-output .cs1-subscription span,.mw-parser-output .cs1-registration span{border-bottom:1px dotted;cursor:help}.mw-parser-output .cs1-hidden-error{display:none;font-size:100%}.mw-parser-output .cs1-visible-error{font-size:100%}.mw-parser-output .cs1-subscription,.mw-parser-output .cs1-registration,.mw-parser-output .cs1-format{font-size:95%}.mw-parser-output .cs1-kern-left,.mw-parser-output .cs1-kern-wl-left{padding-left:0.2em}.mw-parser-output .cs1-kern-right,.mw-parser-output .cs1-kern-wl-right{padding-right:0.2em}


  2. ^ Bertil van Boer (5 April 2012). Historical Dictionary of Music of the Classical Period. Scarecrow Press. p. 219. ISBN 978-0-8108-7386-5.




External links




  • Free scores by Pierre Gaviniès at the International Music Score Library Project (IMSLP)


  • Media related to Pierre Gaviniès at Wikimedia Commons









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